Aaaaaaaaaand - ACTION . . . then exhale, then inhale . . . write it all, damn it . . . or simply don't think it and definitely don't live it.
If life is book, and we're penning our stories as we go along, then I need to focus more on my plot. If life is not a book, but a path we have chosen to follow, then I need to take a closer look at my current path's direction. If life is not a path, but a classroom on this planet, then I need to rethink this semester's study agenda.
But, back to the 'life is a book' metaphor. . . since we're writers here. Jon's latest post got me thinking, about story-lines and how they either contribute to the plot or they don't - and in a good story, should everything contribute to the plot. And if so, what choices might I make differently - what scenes would I edit out or omit altogether?

So, I thought about my plot; it's been all over the place for a while now. Then, I thought about the action scenes in my story and how I always thought action scenes where pretty much above editing . . . the more action the better the story . . . and how I seem to treat the little nuances in my story with disregard and red pens.
"Ah, she breathed too long, boring, take it out . . . and that cup of organic, shade-grown, fairly traded coffee, she nurses it far too long . . . no one cares about that . . . she's just sitting there drinking that damn cup of coffee when she isn't out watering her garden or peeling potatoes for dinner or talking to her father on the phone or brushing her Golden Retriever or sweeping up dust bunnies."
just some simple, quiet thoughts. nothing action-packed. nothing edited out or spell-checked or corrected for punctuation and grammar. just a perfect moment inside my imperfect story. you are now part of that story . . . part of my plot for today.
Thanks for reading these paragraphs.
But, then again . . . what if we don't have to take responsibility for our lives at all? Just blame it on the Fates, the God's, the exes, the person who took your parking spot, your parents, school, the fact that you ran out of ink at the good part.